gestus picture series

Brian Dillon, editor of the magazine Cabinet writes, ”The photograph rehearses with uncanny accuracy the clarity of images of my parents as I recall them. My parents’ remembered features, their hands, their hair – hover – in my memory, just above their photographic doubles.”

This “hovering”, and more importantly – this perceived “doubling” of the memory and the photograph, is the place - the site, if you will, that the photograph gains its resonance – its persistence.